120 Hours in Seoul is a personal photography project shaped by time constraints and repetition. The work unfolded over five days, moving through the city with minimal planning and a focus on observation rather than coverage.

Images were captured using a hybrid approach. A Leica rangefinder handled the digital work, while medium format film was photographed on a Hasselblad system. Working across formats encouraged a slower, more deliberate rhythm alongside moments of immediacy.

Rather than attempting to define the city, the project reflects fragments of pace, movement, and daily life as they surfaced within a limited window. The result is a record of presence shaped as much by restraint as by access.