Shot for Powder Magazine, this feature profiles Bellingham-based printmaker Sarah Finger, whose woodcut work is deeply tied to the landscapes and rhythms of the Pacific Northwest. Working from her home studio, Sarah’s process blends patience, repetition, and intuition, values that closely mirror mountain culture and time spent outdoors. The imagery focuses on quiet moments of making, from carved blocks and inked hands to the finished prints that eventually found their way onto a ski topsheet. The result is an intimate portrait of an artist whose work is shaped as much by place and process as by outcome.